We do not always have the time for a two-hour movie. No one ever wants to sit down and watch a one-hour TV drama knowing that they might not be able to stick around for an entire second episode. With this said, 90-minutes (perhaps 75, maybe 99) is the ideal runtime. This concise time has given us some of the most rewatchable movies that may not win any Academy Awards, but are properly fun-sized for the audience. That is what NinetyForChill.com is all about, the fun-sized sweets be it experimental terror, outlandish horror, over-the-top action, or the most radical comedies and dramas. Your host Russ Stevens and his friends chat about the movies that require few cuts to put on basic cable when it comes to fitting into a two-hour time slot and embrace all the craziness that the censors will need to bleep or blur.
Episodes
Monday May 15, 2023
Monday May 15, 2023
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CatBusRuss is pondering how often he should be releasing new episodes of "Ninety For the Chill". This current season has had a great balance of episodes dedicated to his own personal binges and conversations with great guests. But with so many podcasts having a monthly or biweekly release schedule, is the CatBus working too hard?
The episode for next week is in the can, so this week, our host is keeping up the ani-May theme by watching Studio Ghibli's spiritual successor's, Studio Ponoc, first feature, "Mary and the Witch's Flower". It is a fun kids film. Then CatBus pulls out some reviews that sum up his own maturity. It starts with coming of age in the punk rock world with "London Town" and moves on to the oversexed college experience with Gregg Araki's "Kaboom".
From sexually explicit cinema, CatBus makes a quick transition to the other extreme of indie cinema with the Soska Sisters' remake of David Cronenberg's "Rabid". Cronenberg was one of the two patron saints of this podcast. The other is Stuart Gordon. What sounds better than Gordon with Lance Henriksen? To find out what that is like, you will hear a review for "The Pit and the Pendulum". If that is not enough of a Henriksen fix, stick around for a review of Stan Winston's directorial debut, "Pumpkinhead".
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